Black Talent Snatching
An entire white business infrastructure has been established that feeds directly from the talent of Black athletes, musicians, dancers, singers, comedians, and artists of every kind, who have set the standard for excellence in the entertainment field. White business people, with no discernible talent (save their access to a whites-only money supply), sit firmly over a massive wealth-generating enterprise no different from the old Southern post-slavery sharecropping model, while deriving incredible profits entirely from Black cultural genius.Unmistakably, Black culture rules the entire world of entertainment, and Black physical prowess and athleticism are the core attraction of the most popular spectator sports. It is not unusual to see an entirely Black starting lineup for professional football and basketball games, the two most popular spectator sports. All noteworthy sports records are now in the hands of Blacks, or soon will be. Rap music has totally engulfed the youth of every nation that hears it, just as did blues, jazz, and rock & roll before it. Hip Hop in every nation and language fuels everything from the nation’s dance parties, to its commercial advertising, to its political revolutions.
Originally, whites like Al Jolson and George Burns made careers by actually painting their faces pitch black, affecting a mock Black dialect, and dancing and singing like Blacks for the white audiences that thronged to see them. They called themselves “coon singers” and “minstrel singers,” and the very first Broadway shows and Hollywood movies all featured these blackface performers. European composer Gunther Schuller said: “The blacks have always invented the music. The whites take it over. Then the blacks invent something new.”
He was describing the culture bandits—the Gershwins, the Elvises, the Pat Boones, the Hall & Oates, the Claptons, the Osmonds, the Timberlakes, the Winehouses, the Eminems, the Backstreet Boys, and the Madonnas. Today, the charts are filled with the pale-skinned wannabes of the Motown legacy, including Adele, Duffy, Justin Bieber, Robin Thicke, Iggy Azalea, Meghan Trainor, Joss Stone, Sam Smith, and Macklemore. These imitators are simply going where the money is and catering to a white consumer that needs to see his/her entertainers singing Black whilst being white.